By
Bernard Yaw ASHIADEY
It was all about
creativity at its best as the Embassy of Brazil in Ghana unveiled the Tabom
Graffiti and Street Art Project at Jamestown in Accra.
The projects, which
are graffiti and artistic paintings on the walls of Brazil House at Jametown
opened to the public with a photographic exhibition, depicting several graffiti
works done by Brazilian artists, mainly in deprived areas of some large
Brazilian images.
The Project
is part of the Embassy’s commitment to recovering the history of the Tabom
Community in Accra, as well as their contribution to the development of the
city.
Furthermore, the
project was conceived with the intention of strengthening Brazil-Ghana cultural
ties. Street art and graffiti were the selected tools to facilitate this
dialogue between Brazilian and Ghanaian artists.
Brazilian
Ambassador to Ghana, Madam Irene Vida Gala, said that through the various
images, one can see how art is used to
foster interaction in poor communities in Brazil.
Also, it shows the
evolution and recognition of contemporary art as a means of expression, created
mainly by the youth who are willing to break down barriers of prejudice and
underdevelopment.
The objective of
the project is also to bring art to the walls of the Brazil House dedicated to
the Tabom community. This museum will incorporate the creation of the paintings
through photographs and films, as well as interviews with members of the Tabom
community.
Minister of
Tourism, Akua Sena Dansua, said such art projects would help strengthen the
relationship between the two countries.
“It means that the
government and people of Brazil are interested in fostering the relationship
between the two countries. They are telling Ghanaians that they mean well and
are ready to attract more Brazilians to come visit and invest in the country.
Two well known
Brazilian artists, Binho Ribeiro and Alexandre Keto, came to Accra last month
to work with Ghanaian artists Ian Quhachi, Kwabena Danso, Mohammed Awudu,
Kwabena Adjei, and Steven Zion.
They shared with
the group their techniques and understanding regarding the importance of
graffiti and street art in promoting development, particularly in poor
neighbourhoods in Brazil as well as in Ghana.
Binho Ribeiro noted
that a humane gesture does not solve problems but can make the local
environment a little more cheerful and pleasant.
“When I was in
Jamestown, the area of the Tabom community, people were watching me paint on
the streets and I overheard something that made me proud and made this journey
(to Ghana) very remarkable: ‘This is also Brazil, you’re at home!”
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